gears of war 2!!!!!!

although am not a big fan of 360 I know most of you are so i posted a interview.

How Epic Games plans to deliver a knockout story.

he first Gears of War wasn't exactly known as a powerhouse for its story. In fact, it was the opposite in most people's eyes with more of a shell of a plot that was meant to be fully exposed at a later date. That date has been set as November 7, 2008. The day that the Gears world will supposedly be unearthed in an entirely different way thanks to a much deeper storyline. Crafting that plot is Josh Ortega, a well-known writer in the world of comics and science-fiction and he's now bringing new life to the Xbox 360's most anticipated game of the year.

We sat down with him at a Microsoft-hosted event during E3 to discuss exactly what fans can expect from Gears of War 2.

IGN: What were your thoughts about Gears before doing it; I know you've done comic books -- Spider-Man, Batman, all that...

Josh Ortega: I would say in terms of Gears it was a cool universe. Immediately, from an artistic style, because working in visual media, especially comics, I appreciated the visual style first and foremost. I was a little late to actually play it when I finally got to it I just loved it. To this day I still play. Recently because I was getting ready for all this multiplayer stuff, I was like, man I gotta brush up. Playing guys like you... (speaking into the microphone) This guy's good by the way!

IGN: That's going in the interview, you better believe it.

Josh: I had to start brushing up. But brushing up for campaign stuff, in the Gears universe all the time. Just recently beating it on hardcore and playing it on insane and feeling good about it. The stickiness of the game is amazing, people just keep going back to play Gears. Even after all this time the multiplayer's still fun for them. The new stuff, as you play it, is even the next level. It's so much tighter than the first one. It was just a universe that was easy to jump into. There's also a ton of potential. It's always fun to work on a franchise from the early stages, there's just so much you can do.

IGN: Speaking of seeing potential in an unformed universe, with the characters did you see specific archetypical characters and places you could go with them?

Josh: Yeah, right away there was stuff with the arc of the story that me and Cliff and Rod (Ferguson) as well were all on. We had to fight for a few story points but I think they're going to be things that are new for people. Stuff that people haven't quite experienced, at least not from a third-person videogame. Maybe in other media, but yeah, it was really one of these things where there's a wealth of possibilities and with all the characters and the templates that they set up with the first one. Credit to everyone who worked on the first game for setting up a lot.

Some people say it's a bad story, it's not a bad story, it's a sparse story. Not everything made it in, not really the fault of everyone else, but what made it in was definitely memorable. Like I always say, Gears every once in awhile will get that criticism and I just have to say hey, what was it the third Lord of the Rings that was top at the box-office and won every damn award? And that's what Gears did, it was the top-selling title and it won all the awards. It's kinda hard to criticize a game at that point. You could nitpick but it did its job; it set the universe. I think it's better to be sparse than to say too much and do something stupid which I think they avoided. That gave me a wealth of possibilities to work with.

IGN: Speaking of the wealth of possibilities. You've worked on Spider-Man, Batman, Star Wars -- some obviously recognizable franchises. Those characters are pretty set so you have to follow a path. Do you follow that more where the character is already set for you or do you prefer having a shell of a character that you can build from?

Josh: I think it's all interesting. It's like working with a puzzle. With characters you always find ways to fit your piece in to this grand puzzle because they're never really completed. The puzzle's always kind of being created so you put pieces in. It's like a giant mosaic kind of and it expands all the time so there's thing like with the Spidey story.

It was the first comic I published, not the first I ever wrote or got paid for, but it was the first one that was published. The story for that came about with MJ at a photo shoot in San Francisco and Spider-Man hearing an earthquake and the main thing that inspired that was that I had never seen Spidey on the Golden Gate Bridge. Let's take Spider-Man out of New York for an issue.

So there's always space, if you do your research, research is the key to good writing, I'm a firm believer in that. I think it's the same thing with something like Gears. There's stuff there that you have to research and it's like you were saying, it's pretty much an open world and there's so much to explore and create and shape, you know, which is a lot of fun.

IGN: What kind of research did you do for Gears? Was it just playing the first? Talking to Cliff?

Josh: Game number one, yeah. Talking to Cliff. They were working on the story bible at the time which is mostly set but still kind of a work in progress because of all the new stuff that's coming out. I know I'm personally a big advocate of letting story bibles evolve organically. Not trying to get it all, I mean you want to get the framework, but you don't want all the details right away.

If you're doing multimedia some novelist is gonna introduce some brilliant concept you didn't think of. Some movie guy is going to do something you didn't think of. You want to have a framework and then let it get populated within that framework. You have your story, you know where it ends, but you can flex around a little bit and move with it.

IGN: When you say story bible, explain to people what that is for Gears. Is it a giant overarching thing that's going to span several games or is it a one game at a time type of thing?

Josh: Yeah, you know, most franchises that I've worked on tend to be evolutionary things again but I feel like the best ones have a map just for the general stuff. It could be really light but I think it's so important to know where you're going with it. I think it's good to think big too, to think, "Hey, what if we did do 12 Gears?" Where would you want it go and map out something roughly. Just because you don't know. I think it's better to have a general idea of what you're doing than just be caught blindsided because sometimes beauty can come out of spontaneity but a lot of times disasters can come out of spontaneity.

Don't let those little bastards get too close.

IGN: Now, it seems like everything I've heard about the story, which is not much...

Josh: Yeah, we've been tight-lipped actually. I just want you guys to experience it.

IGN: Exactly. I want to experience the story. But there's been a lot of talk about Dom and his wife and their relationship and how that affects everything.

Josh: Yeah, that's one of the big things.

IGN: It seems like it's more Dom focused though. I haven't heard anything about Marcus's dad or anything or that storyline. Would you say it's more Dom focused?

Josh: I'd say it's ummm... at least through half of the game, yeah. It's pretty split. But there's a lot of Marcus stuff. Undercurrents. Definitely a lot more details that you're going to get about questions you had. We're being real tight-lipped about some of the Marcus stuff, but yeah, I think Dom's quest for Maria is the early anchor. For sure. It's something that runs throughout Gears 2 as well so it's there.

IGN: Have you been involved in any kind of talks about the movie? I know it's starting to get rolling now and you're a part of the Gears universe now.

Josh: Yeah, I've read early draft of it. It's looking good. I'm real excited about it. I think all the people involved with it have been really excited about. It's really looking good. I'm excited where the whole franchise is heading. The novel, we're going to announce very soon who's writing the novel, brilliant novelist. Great comic stuff we're going to announce too. It's all coming together in a nice sort of "web of Gears" and it's being woven very tight. Not so tight that we don't have flexibility but I like that everything's syncing up and informing each other. We've got good people in all places. I actually haven't seen a lot of franchises start out with this much cohesion. I think a lot of times they evolved a lot more organically than this and I think we're doing a good job of cultivating the organic gardens so to speak.

IGN: You mentioned earlier about having to fight to get story points in the game. Was that a fight with Microsoft that stuff might have been too dark or what?

Josh: I think it was more in general. There were folks at Epic too. We said, well that's pretty intense and this and that but you know, right away it was more discussion. We never got to the fighting point. Microsoft, Epic, you know, everyone was very cool and they got it pretty quick. Once I was on board and I was pushing for things and me and Cliff and Rod were on the same page. Once that all clicked I think that was the magic thing where people just started going off. People just started saying, "Let these guys go. They seem to have some magic rolling, just let them do their thing." Credit to Microsoft and to Epic, Mike Capps and Mark Rein and everyone, they let us do our thing. I think we're going to show you guys a story that's going to shock and surprise people.

I mean, yeah, I can't talk about it. We'll have some great interviews later in the year where we'll get to the nitty gritty of it all but it's going to get to some stuff that's going to be really surprising.

That flail explodes when it hits the ground.

IGN: Man, that's great. I don't know what else to say except I just want to experience it.

Josh: I know. I'm happy because I've never seen this from a game and there were a couple things that I pushed for right away. I was like, that's it, we gotta do that, we gotta do that. And I just pushed for it. And again, credit to Microsoft and to Epic because everyone said, "We're doing it, we're pushing the medium, that's creative vision." For third-person, again I know, first-person is its own thing. Half-Life and BioShock can do things that we can't do in a third-person game but there are things in our game that first-person games can't do.
IGN: Working with Cliff. How much did he -- obviously he had the intentions for Gears 2 at the end of the first, he had some kind of idea and maybe even where he wanted it to end but you came in after that point, right?

Josh: Right. I came in completely after Gears 1.

IGN: So how much of it was his totally original thought and how much of it was your vision?

Josh: You know, it was a good time for me to come on. I call Rod, Cliff and I the story team as far as the big overarching picture. We all worked on that together. Eric Nylund who worked on the first one a bit consulted a bit on the second one too and then went back to do the Halo stuff. But me Rod and Cliff pretty much hammered it out, set our path and then it was like, "Okay Josh, here ya go, write a game for us in X amount of time." Cliff is the director, I'm the writer and he's the director and Rod is the producer. It's actually pretty akin to a movie.

We call Rod the "Rod Mower" because he will tear your **** up. But to his credit, he's not BSing you about anything.

IGN: You just said X amount of time but how long did it actually take from day one of you saying that you were going to do it to completion?

Josh: It was about a year. There was a crunch time when I wrote the bulk of the script and that was about three months. We've been joking about making shirts that say, "I survived the Hollow" which is of course where the Locust come from. There are guys who are really in deep now but I had an early crunch. People now are sleeping at the office but that was me way back when.

IGN: How many pages is the final script?

Josh: You know, we have to compile it all. It's one of my goals. But it's gotta be 300 pages or so. So it's a couple movies, you know? That's not including everything, that's just a lot of the core stuff. Not including battle chatter stuff and things of that nature. So it's a lot when you combine it all. Maybe we'll put it out one day as a game script for people to see. You never know.
IGN: How long was the actual dialogue? Minutes-wise for the whole game?

Josh: God, I don't think we've totaled it up but I think they'd still have us on gag order.

Make go boom.

IGN: Is it longer than a feature-length film would you say?

Josh: Totally longer than a feature-length film. I've written a screenplay before and this was a lot more work.

IGN: Very cool. Well thanks for your time, that's all I've got for you.

Josh: Good times, that was fun.
this was cut from ign and i have links to prove it!